About
a couple weeks ago, I saw Auntie Susan in a dream (for background,
see my prior essays In Memoriam: Aunt Susan and Memorial
Services for Elders). She was vibrant and healthy again, with
her pleasing raspy voice and encouraging and open words and eyes that
showed concern only for others. The vision comforted and warmed me
even as I wakened and couldn't recall anything more.
I
had been considering whether to take Jaren for his pre-Memorial Day
scouting activity of laying leis at Punchbowl Memorial Cemetery
(where active duty war veterans and their spouses are interred) and
visiting our three relatives there: Auntie Susan, her Korean War
veteran husband Uncle Thomas—who predeceased her by three years,
and Korean War veteran Uncle Roland, who died in the 1980s in an
overseas tragedy.
It
had been over a year since Auntie Susan had died, and we hadn't yet
visited either her or Uncle Thomas's markers, so I felt it was time.
But
there was a scheduling conflict with church on Sunday, so on the
following slow Memorial Day morning, we all went and ended up parked
a half-mile away (because it would be crowded at the cemetery),
coincidentally beside another cemetery—this one upon a steep,
ungraded slope covered with two-foot-tall weeds. Its numerous
dilapidated head stones—some tottering at odd angles, some
weathered and darkened with mold, most with Chinese lettering—had
dates of the birth as far back as the 1800s. I noted a few of these
to the kids but kept quiet about the sad paucity of flowers or other
indications of recent visitors.
Fifteen
minutes later, we ascended the final approach to Punchbowl's entrance
past a dozen three-foot-tall flags on seven-foot masts fluttering in
the wind. One caught my face and Jaren said, “There's probably a
lot of flags inside.
“Yup,”
I said, “There'll be plenty.”
“Maybe
more than ten.”
“You'll
see,” I said, knowing each of the cemetery's thirty-four thousand
markers would be adorned with flag and lei.
Bagpipes,
one of the most maligned, mocked, and oft-ridiculed instruments
around, especially as portrayed in numerous Monty
Python sketches and
the like, greeted us as we crested the hill and entered the cemetery
proper. The instrument was held by a uniformed soldier standing
roadside and as he commenced playing, the reedy, deep-pitched drone
and high-pitched nasal squeals so unique to the instrument issued
forth and I smiled ironically that this
instrument had been the one selected to honor the dead on this most
somber of occasions. We crossed the street opposite where he stood
and I hummed along, picking out low bass and baritone notes, and
shortly after we passed within a foot of him, he stopped playing,
apparently because he had just been warming up or tuning/testing his
instrument.
At the nearby
office we obtained maps to our relatives' sites and took a restroom
break prior to walking the hundred yards to Uncle Roland's marker,
which required some search even though we'd been there before and had
a general idea of its vicinity because there were just so many
identical markers! The locator numbers at the top lefts were often
obscured by fallen leaves or overgrown grass, so we called out
visible ones as we got nearer.
Now by saying that
locator numbers were obscured, I'm not suggesting slovenliness or
lack of maintenance. On the contrary, what Mom told us when we were
kids still applies: “The best maintained parks (in Hawaii) are
national parks. Next come state parks. The worst are county
parks—especially the restrooms.” In addition to being national
“park” clean, then, the Punchbowl Cemetery distinguishes itself
with its peace and beauty; immaculate lawns, copious trees, and
unmarred markers that are relaid level as necessary; and orderliness
so apt for one of our state's most dignified final resting sites.
Our extended family feels blessed to have our own buried there.
Prior to leaving
our house, I had our kids choose and bring along a hand-made gift or
toy they had lying around, so when we got to Uncle Roland's site
Braden placed his beaded gecko toy in the lush grass alongside the
lei and standing mini-flag. It was nice to see a vase of flowers
there, probably left by Aunt Charlene, his wife, and I said a short
prayer.
In the distance at
the memorial's central plaza a band played a short piece before a
small crowd seated beneath an open canopy, and two fighter jets
thundered low and slow overhead.
As we ascended the
slope toward the mauka side of the cemetery where the columbarium
was, the spot where Aunt Susan's final burial service had been came
into view and it began to hit me—even as a cool breeze swept
through on its course to the sea and the bagpiper, with quiet, slow
dignified steps, belted out a sad, sweet tune—that I yearned to see
Aunt Susan yet living. And it overwhelmed me—the gestures, place,
time and remembrances that all came together in a sort of earthly
perfection of loving heartache, causing me to feel both happy and sad
at the same time. Tears blurred by vision and mucus dripped from my
nose as I described the ceremony to our kids who hadn't been there
due to school.
Upon completing our
visit at Aunt Susan's and Uncle Thomas's combined marker, where Pene
place her gold origami swan and Jaren placed his Lego motorcycle
among vases of flowers, Deanne encircled an orchid lei about the
plaque, and I said an awkward prayer, we headed back. Over to our
left on a grassy slope the bagpiper—handsome and regal—played
before a family seated on a tatami mat and upon completion gave a
slow measured salute before marching on with slow solemn cadence.
I asked Braden if
that was the way JROTC taught him to march?
He said, “Yeah,
kind—of.”
“Impressive huh?”
“Yeah”, he
said.
At
our car, the contrast between the two cemeteries couldn't have been
starker. I pointed out to the kids that the difference was
attributable to Chinese immigrants being considered “less
important” by land owners, so they were given junk land in which to
bury their dead. But that no one in the eyes of God is less
important than anyone else. Unfortunately, that's just the way our
current system works.
Deanne mentioned
that the same held true for my mom's relatives' cemetery in Honokaa
(on the road out to Waipio Valley). I agreed and said that that was
where Dad had first alerted us to such differences. She asked hadn't
most of our closest relatives there been disinterred and re-interred
either at Honokaa Hongwangi's or Honolulu Honpa Hongwangi's
columbariums? to which I said yes.
It had been a very
meaningful (and for a me, moving) Memorial Day, an experience we
won't soon forget.
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